000			02075cam a22003254a 4500
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003			NACAD
005			20190418135608.0
008			020130s2002 nyua b 001 0 eng
020			_a0500283834
020			_a9780500283837
040			_aDLC _beng _cDLC _dUKM _dWCM _dBAKER _dNLGGC _dYDXCP _dBTCTA _dUQ1 _dK6U _dIG# _dEXW _dBDX _dOCLCF _dUZ0 _dDDD _dOCLCQ _dNACAD
042			_apcc
050	0	0	_aTT507 _b.T68 2002
100	1		_aTownsend, Chris.
245	1	0	_aRapture : _bart's seduction by fashion since 1970 /
260			_aNew York : _bThames & Hudson, _c©2002.
300			_a176 pages : _billustrations (some color) ; _c26 cm
504			_aIncludes bibliographical references and index.
505	0	0	_tConceptualism and Fashion's Rejection -- _tAmbivalent Embrace -- _tThe Empty Body Part 1 -- _tThe Empty Body Part 2 -- _tFragments of Fashion -- _tShopping in Space -- _tForm and Uniform -- _tDressing Up Dressing Down -- _tWho Will You be Today? -- _tNot Cut to Pattern -- _tTo Die for.
520	0		_aRaising questions about identity, style, culture, commerce and beauty, this volume reveals the ambivalent relationship between art and fashion and shows the visual results as artists both succumb to fashion's powerful lure and at the same time recoil from it.
520	1		_aRapture surveys the collision of two glamorous and fascinating worlds: art and fashion. Whether covering an art installation in a SoHo boutique, Cindy Sherman's complicity with the tools of mass media or a Keith Haring image advertising a hip brand of vodka, and whether describing clothes as metaphor or sculpture, the use of street-art graffiti on a Louis Vuitton bag or Tracey Emin as Vivienne Westwood's model, Chris Townsend shows how the alluring, illusory faces of fashion and art are fused.
650		0	_aFashion design.
650		0	_aFashion and art.
650		0	_aClothing trade.
942			_2lcc _cBK