Samuel F.B. Morse /
Series: Library of American art (Harry N. Abrams, Inc.)Publisher: New York : Harry N. Abrams, in association with the National Museum of American Art, Smithsonian Institution, 1988Copyright date: ©1988Description: 160 pages : illustrations (some color) ; 32 cmISBN:- 0810915316
- 9780810915312
- Morse, Samuel Finley Breese, 1791-1872 -- Criticism and interpretation
- Painters -- United States -- 19th century -- Biography
- Painters -- United States -- 19th century -- Criticism and interpretation
- Inventors -- United States -- 20th century
- Morse code
- Portrait painting, American
- Portrait painting -- 19th century -- United States
- Narrative painting, American
- ND237.M75 K56 1988
Item type | Current library | Collection | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Book | Whitecliffe Library General Shelves | General | ND 237 MOR KLO (Browse shelf(Opens below)) | 1 | Available | 0002144 |
Includes bibliographical references (pages 155-156) and index.
I. "I was made for a painter" -- II. "The intellectual branch of art" -- III. "Mr. Morse, from Boston" -- IV. "I migrate to Charleston" -- V. "The national hall" -- VI. "Promoting the arts" -- VII. "Exertions and sacrifices" -- VIII. "I never was a painter" -- Chronology.
The inventor of the electric telegraph was also a portrait painter, "the finest of his generation" in Kloss's judgment. Morse went to England to paint in 1811; he returned to America four years later, converted to the academic "grand style" that was already in decline. That he continually broke through the artifice of that style in works of startling power is attested to by the color reproductions in this handsome biographical study. Morse could be softly romantic as in his portrait of poet-journalist William Cullen Bryant; yet the pictures that speak to us most directly are unsparingly realistic: witness his 81-year-old John Adams seething with bitterness and physical decline, his full-length study of the gruff Marquis de Lafayette, his pugnacious Governor De Witt Clinton. Morse held Calvinistic, pro-slavery and anti-Catholic views; once he became famous as an inventor, he turned his back on America to settle in France. These circumstances, suggests Kloss, National Geographic Society art consultant, help explain why he is not as well-known an artist as he ought to be.--Amazon.