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Echo objects : the cognitive work of images /

By:

Stafford, Barbara Maria, 1941-

Publication details: Chicago : University of Chicago Press, 2007.Description: xiii, 281 pages, [12] pages of plates : illustrationsISBN:

9780226770529
0226770524

Subject(s):

Contents:

Form as figuring it out : toward a cognitive history of images -- Compressive compositions : emblem, symbol, symbiogenesis -- Mimesis again! Inferring from appearances -- Primal visions : the geography of interiority -- How patterns meet : from representation to mental representation -- Impossible will? Unconscious organization, conscious focus -- Coda : reverberations.

Review: "Barbara Maria Stafford is at the forefront of a growing movement that calls for the humanities to confront the brain's material realities. In Echo Objects, she argues that humanists should seize upon the exciting neuroscientific discoveries that are illuminating the underpinnings of cultural objects. In turn, she contends, brain scientists could enrich their investigations of mental activity by incorporating phenomenological considerations - particularly the intricate ways that images focus intentional behavior and allow us to feel thought." "As precise in her discussions of firing neurons as she is about the coordinating dynamics of image making, Stafford locates these major transdisciplinary issues at the intersection of art, science, philosophy, and technology. Ultimately, she makes an impassioned plea for a common purpose - for the acknowledgment that, at the most basic level, these separate projects belong to a single investigation."--Jacket.

Holdings ( 1 )
Title notes ( 3 )

Holdings
Item type	Current library	Collection	Call number	Copy number	Status	Date due	Barcode
Book	Whitecliffe Library General Shelves	General	N 72 SCI STA (Browse shelf(Opens below))	1	Available		0007679

Includes bibliographical references (pages 217-261) and index.

"Barbara Maria Stafford is at the forefront of a growing movement that calls for the humanities to confront the brain's material realities. In Echo Objects, she argues that humanists should seize upon the exciting neuroscientific discoveries that are illuminating the underpinnings of cultural objects. In turn, she contends, brain scientists could enrich their investigations of mental activity by incorporating phenomenological considerations - particularly the intricate ways that images focus intentional behavior and allow us to feel thought." "As precise in her discussions of firing neurons as she is about the coordinating dynamics of image making, Stafford locates these major transdisciplinary issues at the intersection of art, science, philosophy, and technology. Ultimately, she makes an impassioned plea for a common purpose - for the acknowledgment that, at the most basic level, these separate projects belong to a single investigation."--Jacket.