No longer innocent : book art in America, 1960-1980

Includes bibliographical references and index.

Part 1: Books for the New Century -- 1. Europe's Legacy -- The Fine Press Book -- The Deluxe Book -- The Bookwork -- Embodied Spaces -- Book Dissemblings -- The Readymade Book -- Part 2: The United States: Assimilation and Change -- 2. The Fine Press Book The Roycroft Press: Art and Business -- Between Britain and America -- A New American Fine Printer: Harry Duncan -- Fine Press Auguries: Leonard Baskin -- California's "Small Renaissance" -- Printing as Spiritual Devotion: William Everson (Brother Antoninus) -- 3. The Deluxe Book Printmaking's Changing Profile -- Modern Painters and Sculptors as Illustrators -- An American Hybrid: The Allen Press -- 4. The Multiple Bookwork Making Offset's Mark: Eugene Feldman -- Books for Our Time -- The Artist as Independent Publisher -- Photobookwork Precursors -- 5. The Sculptural Bookwork Cornell and Duchamp: Imagined Terrains -- Book as Assemblage -- Part 3: The 1960s: Ferment -- 6.: The Fine Press Book The Janus Press: A New Demeanor for Fine Printing -- Book Art as an Alternative Lifestyle -- Fine Printing on Campus -- California's Print Activists -- Chapter Seven: The Deluxe Book -- Shades -- Stamped Indelibly: Independent Deluxe Books -- Richard Tuttle's Books of "Obstinate Humility" -- Europe in America -- 8. The Multiple Bookwork -- Something Else in Independent Publishing -- Media Versus Aura: McLuhan and Benjamin -- Ed Ruscha's "Mimesis of Amateurism" -- The Dematerialized Book -- 9. The Sculptural Bookwork -- The Captive Book: The Book as Box -- The Appropriated Book -- Additions and Subtractions -- Performance and Installation Bookworks -- Part 4: The 1970s: Explosion -- Chapter Ten: The Fine Press Book Out of the Cradle -- Fine Press Gatherings: Exhibitions and Conferences -- Women at the Press -- Crossover: The Center for Book Arts -- The Pluralistic Book -- The Ups and Downs of the Ordinary Book -- "Your Money or Your Life" -- 11. The Deluxe Book -- In and Outside of the Atelier -- Collecting: The Book as Art -- Criticism: The Book Stripped Bare -- 12. The Multiple Bookwork -- No Longer Innocent: International Influence -- Collecting the Anti-Collectible Book -- Private Collecting: Peter Frank and the Sackners -- To Have and to Hold: Printed Matter and Franklin Furnace -- Conversation as Content: Hompson and Applebroog -- Photography's Face for the Multiple Bookwork -- Picturing the Visual Studies -- Workshop Press -- The Copier as Printmaker -- Alter-Aesthetics -- 13. Building Community Building a Network -- Artists' Books Personalize the Political -- Show and Tell: Exhibition and Reception -- 14. The Sculptural Bookwork -- 15. The Next Chapter -- Conclusion.