Modernism : the lure of heresy : from Baudelaire to Beckett and beyond
Publisher: New York : W.W. Norton, 2008Copyright date: ©2008Edition: 1st editionDescription: xxii, 610 pages, 16 unnumbered pages of plates : illustrations (some color) ; 25 cmISBN:- 9780393052053
- 0393052052
- 9780393333961
- 0393333965
- NX454.5.M63 G39 2008
Item type | Current library | Collection | Call number | Status | Notes | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Book | Whitecliffe Library General Shelves | General | NX 454 GAY (Browse shelf(Opens below)) | Issued | Donated by Henry Symonds, 2019. | 04/04/2024 | 0013310 |
Includes bibliographical references (pages 511-563) and index.
A climate for modernism -- Professional outsiders -- Irreconcilables and impresarios -- Painting and sculpture : the madness of the unexpected -- Prose and poetry : intermittences of the heart -- Music and dance : the liberation of sound -- Architecture and design : machinery, a new factor in human affairs -- Drama and movies : the human element -- Eccentrics and barbarians -- Life after death? -- Coda : And Gehry at Bilbao.
Historian Gay explores the modernist rebellion that, beginning in the 1840s, transformed art, literature, music, and film with its assault on traditional forms. Beginning his epic study with Baudelaire, whose lurid poetry scandalized French stalwarts, Gay traces the revolutionary path of modernism from its Parisian origins to its emergence as the dominant cultural movement in world capitals such as Berlin and New York. This book presents a pageant of heretics that includes (among others) Oscar Wilde, Pablo Picasso, and D.W. Griffith; James Joyce, Virginia Woolf, and T.S. Eliot; Walter Gropius, Arnold Schoenberg, and (of course!) Andy Warhol. Finally, Gay examines the hostility of totalitarian regimes to modernist freedom and the role of Pop Art in sounding the death knell of a movement that dominated Western culture for 120 years.--From publisher description.