The third mind : American artists contemplate Asia, 1860-1989 /
Publication details: New York : Guggenheim Museum : D.A.P./Distributed Art Publishers [distributor], ©2009.Description: 439 pages : illustrations (some color) ; 32 cmISBN:- 9780892073832
- 0892073837
- 9780892073849
- 0892073845
- Art, American -- 19th century -- Exhibitions
- Art, American -- 20th century -- Exhibitions
- Art, American -- Oriental influences -- Exhibitions
- Arts, Asian -- Influence -- Exhibitions
- Philosophy, Asian -- Influence -- Exhibitions
- Photography, Artistic -- Exhibitions
- Photography -- United States -- History -- 20th century -- Exhibitions
Item type | Current library | Collection | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Book Limited Loan | Whitecliffe Library General Shelves | General | N 6510 MUN (Browse shelf(Opens below)) | 1 | Available | 0008819 |
Published to accompany an exhibition at the Solomon R. Guggenheim Museum, New York, Jan. 30-Apr. 19, 2009.
Includes bibliographical references (pages 426-437).
Orientalism, South Asia, and the discourse of world religions / Richard King -- Postwar America and the aura of Asia / Harry Harootunian -- Aestheticism and Japan : the cult of the orient / Vivien Greene -- Landscapes of the mind : new conceptions of nature / Kathleen Pyne and D. Scott Atkinson -- Ezra Pound, modern poetry, and dance theater : transliterations / J. Thomas Rimer -- The Asian dimensions of postwar abstract art : calligraphy and metaphysics / Bert Winther-Tamaki -- Buddhism and the neo-avant-garde : Cage Zen, Beat Zen, and Zen / Alexandra Munroe -- Asian structures in modern composition : music and philosophy / David W. Patterson -- Art of perceptual experience : pure abstraction and ecstatic minimalism / Alexandra Munroe -- Performance art and the experiential present : irregular ways of being / Kristine Stiles.
"This book illuminates the dynamic and complex impact of Asian art, literature and philosophy to American creative culture spanning the early modern through contemporary periods. It documents how the visual and conceptual language of American art evolved through a process of appropriation and integration that runs consistently from the 1860s to the 1980s, when globalization came to eclipse earlier, more deliberate modes of cultural transmission. Opening with the late nineteenth-century Aesthetic movement that arose from Boston's Transcendentalist circles, this chronological and thematic history reveals the Asian courses that also shaped abstract art, Conceptual art, Minimalism and the neo-avant-garde as they unfolded in New York and on the West Coast." "This illustrated catalogue features essays by leading scholars in art history, history, Asian studies, and postcolonial religions and cultural studies."--Jacket.