The cinematic /
Series: Documents of contemporary art seriesPublication details: London : Whitechapel ; Cambridge, Mass. : MIT Press, ©2007.Description: 221 pages ; 22 cmISBN:- 9780262532884 (pbk. : alk. paper)
- 0262532883 (pbk. : alk. paper)
- 9780854881529
- 0854881522
Item type | Current library | Collection | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Book | Whitecliffe Library General Shelves | General | TR 850 CIN (Browse shelf(Opens below)) | 1 | Available | 0007612 | ||
Book Limited Loan | Whitecliffe Library General Shelves | General | TR 850 CIN (Browse shelf(Opens below)) | 2 | Available | 0007613 |
Includes bibliographical references (p. 214-217) and index.
Introduction -- Motion pictures -- The captive moment -- Seriality -- Photogrphy and the cinema -- From one image to another -- Mixed media / mixed memory.
Motion pictures -- Never seen this picture before : Muybridge in Multicplicty, 2003 / Tom Gunning -- Futurist photodynamism, 1913 / Anton Giulio Bragaglia -- Montage is conflict, 1929 / Sergei Eisenstein -- A few brief moments of cinematic time, 1999 / Michael Tarantio -- The captive moment -- On the snapshot, 1930 / Carlo Rim -- Images á la sauvette, 1952 / Henri Cartier-Bresson -- The face of Garbo, 1957 / Roland Barthes -- Warhol shoots Empire,30 July, 1964 / Jonas Mekas -- Time exposure and snapshot : the photograph as paradox, 1978 / Thierry de Duve -- On photography and cinema, 1984 / Agnes Varda -- Beyond the movement-image, 1985 / Gilles Deleuze -- The ballad of sexual dependency, 1986 / Nan Goldin -- Cool memories, 1996 / Jean Baudrillard -- Moments in time, 1999 / Susanne Gaensheimer -- Seriality -- Photography, 1927 / Siegfried Kracauer -- Image sequences/series, 1946 / Laszlo Moholy-Nagy -- Observations on the long take, 1967 / Pier Paolo Pasolini -- Time sequences, continuity of movement, 1971 / Wim Wenders -- The pivot of the world : photography and its nation, 2006 / Blake Stimson -- Photography at the cinema -- Moving pictures, 1937 / Beaumont Nehall -- Wavelength by Michael Snow, 1968 / Steve Reich -- Fire and ice / Peter Wollen -- The imaginary of the photograph in film theory, 1984 / Constance Penley -- The pensive spectator, 1984 / Raymond Bellour -- Photography and fetish, 1985 / Christian Metz -- Stillness in the moving image, 2003 / Laura Mulvey -- From one image to another -- Why I go to the movies alone, 1983 / Richard Prince -- Photography and cinema, 1989 / Catherine David -- Melancholic mutations in Cindy Sherman's Film Stills, 1996 / Régis Durand -- An email exchange, 2005 / Jeff Wall and Mike Figgis -- Interview with Anna Holtzman, 2006 / Gregory Crewdson -- Mixed media/mixed memory -- On photography, 1977 / Susan Sontag -- La Jetée, 2003 / Chris Marker -- The dialectical image : La Jetée and photography-as-cinema, 1999/2006 / Uriel Orlow -- Safety in numbness, some remarks on problems of 'late photography, ' 2003 / David Campany -- In her own time : interview with Miriam Rosen, 2004 / Chantal Akerman -- Possessive, pensive and possessed, 2006 / Victor Burgin.
This reader surveys the rich history of relationships between the moving and the still image in photography and film, tracing their ever-changing dialogue since early modernism. Manifestations of the cinematic in photography and of the photographic in cinema have been a springboard for the work of some of the most influential contemporary artists.