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The Ballets russes and the art of design /

Contributor(s): Publication details: New York : Monacelli Press, 2009.Edition: 1st edDescription: 208 pages : illustrations (some color) ; 33 cmISBN:
  • 9781580932547
  • 1580932541
Subject(s):
Contents:
Introduction / Peter Rand -- Designing dance / John E. Bowlt -- Ballets Russes costumes and the art of design / Sarah Woodcock -- The evidence of the backcloth / Sarah Woodcock -- Hartford's historic evening / Eric Zafran -- Posters of the Ballets Russes / Alston Purvis -- Still dancing : photographs and postcards of the Ballets Russes / Anna Winestein -- In his own voice : Diaghilev in the British Press / Lynn Garafola -- The Dancing Museum / Eric Zafran -- Collecting designs for the Ballets Russes : a conversation Nina Lobanov-Rostovsky and Nikita D. Lobanov-Rostovsky -- The Ballets Russes on the auction block / Anna Winestein.
Summary: The Ballets Russes was a phenomenon of the early twentieth century, permeating daily life wherever the company traveled and leaving a lasting impact on dance, theater, and the visual arts. Sergei Diaghilev, impresario from 1909 until his death in 1929, fused the most avant-garde, groundbreaking movements in dance, choreography, art, design, and costume into unique and stunning productions. The work was exciting, and always new, and it stretched the limits of the possible in art. The color, form, and material in costume and set design astonished audiences, transforming every corner of Western culture in the twentieth century. Fashion and decor designers and visual artists in particular—including Coco Chanel, Natalia Goncharova, Mikhail Larionov, Le;on Bakst, and Pablo Picasso—found inspiration in the Ballets Russes. Designers and artists moved past old boundaries and created costumes and set designs for these extravagant productions, bridging the gaps between tangible and abstract artistic genres. The Ballets Russes and the Art of Design explores these revolutionary icons and ideas, illuminating Sergei Diaghilev's profound revitalization of the arts, which continues to influence us today. Ten essays by internationally recognized experts and 200 color and black-and-white illustrations—many from private collections and never-before-published—discuss a broad range of topics, including set and costume designs, graphic design and poster art, photographs and postcards, Diaghilev's presence in the media, and private and museum collections of Ballets Russes treasures.
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Item type Current library Collection Call number Copy number Status Date due Barcode
Book Book Whitecliffe Library General Shelves General GV 1786 BAL (Browse shelf(Opens below)) 1 Available 0008608

Includes bibliographical references and index.

Introduction / Peter Rand -- Designing dance / John E. Bowlt -- Ballets Russes costumes and the art of design / Sarah Woodcock -- The evidence of the backcloth / Sarah Woodcock -- Hartford's historic evening / Eric Zafran -- Posters of the Ballets Russes / Alston Purvis -- Still dancing : photographs and postcards of the Ballets Russes / Anna Winestein -- In his own voice : Diaghilev in the British Press / Lynn Garafola -- The Dancing Museum / Eric Zafran -- Collecting designs for the Ballets Russes : a conversation Nina Lobanov-Rostovsky and Nikita D. Lobanov-Rostovsky -- The Ballets Russes on the auction block / Anna Winestein.

The Ballets Russes was a phenomenon of the early twentieth century, permeating daily life wherever the company traveled and leaving a lasting impact on dance, theater, and the visual arts. Sergei Diaghilev, impresario from 1909 until his death in 1929, fused the most avant-garde, groundbreaking movements in dance, choreography, art, design, and costume into unique and stunning productions. The work was exciting, and always new, and it stretched the limits of the possible in art. The color, form, and material in costume and set design astonished audiences, transforming every corner of Western culture in the twentieth century.

Fashion and decor designers and visual artists in particular—including Coco Chanel, Natalia Goncharova, Mikhail Larionov, Le;on Bakst, and Pablo Picasso—found inspiration in the Ballets Russes. Designers and artists moved past old boundaries and created costumes and set designs for these extravagant productions, bridging the gaps between tangible and abstract artistic genres.

The Ballets Russes and the Art of Design explores these revolutionary icons and ideas, illuminating Sergei Diaghilev's profound revitalization of the arts, which continues to influence us today. Ten essays by internationally recognized experts and 200 color and black-and-white illustrations—many from private collections and never-before-published—discuss a broad range of topics, including set and costume designs, graphic design and poster art, photographs and postcards, Diaghilev's presence in the media, and private and museum collections of Ballets Russes treasures.

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