TY  - BOOK
AU  - Garrels,Gary
AU  - Ferguson,Russell
AU  - Jacobus-Parker,Frances
AU  - Hudson,Suzanne Perling
AU  - Alteveer,Ian
AU  - Fer,Briony
AU  - Brown,Meredith A.
AU  - Lim,Nancy
ED  - San Francisco Museum of Modern Art
ED  - Yale University Press
ED  - Art Gallery of Ontario
ED  - Metropolitan Museum of Art (New York, N.Y.)
TI  - Vija Celmins: to fix the image in memory 
SN  - 9780300234213
AV  - N6537.C4 A4 2018
PY  - 2018///]
CY  - San Francisco, California, New Haven, Connecticut
PB  - San Francisco Museum of Modern Art, in association with Yale University Press
KW  - Celmins, Vija,
KW  - Drawing, American
KW  - United States
KW  - 20th century
KW  - 21st century
KW  - Photo-realism
KW  - Art, Modern
KW  - Latvian American artists
KW  - New York (State)
KW  - Women artists
KW  - Exhibition catalogues
KW  - lcgft
N1  - Published on the occasion of an exhibition of the same name held at the San Francisco Museum of Modern Art, December 15, 2018-March 31, 2019; the Art Gallery of Ontario, Toronto, May 4-August 4, 2019; and The Metropolitan Museum of Art, New York, September 24, 2019-January 12, 2020.--colophon; Includes bibliographical references (pages 256-261) and index; Foreword; Neal Benezra and Max Hollein --; Acknowledgments; Gary Garrels and Ian Alteveer --; Lenders to the exhibition --; Vija Celmins : To fix the image in memory; Gary Garrels --; The image found me : Vija Celmins in Los Angeles; Russell Ferguson --; Redescribing the photograph; Frances Jacobus-Parker --; Moving out; Suzanne Hudson --; Longer than anywhere in the world : Vija Celmins on the east coast; Ian Alteveer --; Exercises in abstraction; Briony Fer --; Vija Celmins : In the artist's words; Compiled by Meredith A. Brown --; Chronology --; Exhibition history; Compiled by Nancy Lim --; Selected bibliography; Compiled by Nancy Lim --; Works in the exhibition --; Index
N2  - Best known for her striking drawings of ocean surfaces, begun in 1968 and revisited over many years both in drawings and paintings, Vija Celmins (b. 1938) has been creating exquisitely detailed renderings of natural imagery for more than five decades. The oceans were followed by desert floors and night skies--all subjects in which vast, expansive distances are distilled into luminous, meticulous, and mesmerizing small-scale artworks. For Celmins, this obsessive "redescribing" of the world is a way to understand human consciousness in relation to lived experience. The first major publication on the artist in twenty years, this comprehensive and lavishly illustrated volume explores the full range of Celmins's work produced since the 1960s--drawings and paintings as well as sculpture and prints. Scholarly essays, a narrative chronology, and a selection of excerpts from interviews with the artist illuminate her methods and techniques; survey her early years in Los Angeles, where she was part of a circle that included James Turrell and Ken Price; and trace the development of her work after she moved to New York City and befriended figures such as Robert Gober and Richard Serra. Exhibition: San Francisco Museum of Modern Art, USA (15.12.2018-31.03.2019); Art Gallery of Ontario, Toronto, Canada (13.06-11.08.2019); The Met Breuer, New York, USA (01.10.2019-12.01.2020)
ER  -