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Vija Celmins : to fix the image in memory

By:

Garrels, Gary [author.]

Contributor(s):

Publisher: San Francisco, California : New Haven, Connecticut : San Francisco Museum of Modern Art ; in association with Yale University Press, [2018]Copyright date: ©2018Description: 271 pages : illustrations (chiefly color), portraits ; 31 cmISBN:

9780300234213
030023421X

Other title:

To fix the image in memory

Subject(s):

Genre/Form:

Exhibition catalogues.

LOC classification:

N6537.C4 A4 2018

Contents:

Foreword / Neal Benezra and Max Hollein -- Acknowledgments / Gary Garrels and Ian Alteveer -- Lenders to the exhibition -- Vija Celmins : To fix the image in memory / Gary Garrels -- The image found me : Vija Celmins in Los Angeles / Russell Ferguson -- Redescribing the photograph / Frances Jacobus-Parker -- Moving out / Suzanne Hudson -- Longer than anywhere in the world : Vija Celmins on the east coast / Ian Alteveer -- Exercises in abstraction / Briony Fer -- Vija Celmins : In the artist's words / Compiled by Meredith A. Brown -- Chronology -- Exhibition history / Compiled by Nancy Lim -- Selected bibliography / Compiled by Nancy Lim -- Works in the exhibition -- Index.

Summary: Best known for her striking drawings of ocean surfaces, begun in 1968 and revisited over many years both in drawings and paintings, Vija Celmins (b. 1938) has been creating exquisitely detailed renderings of natural imagery for more than five decades. The oceans were followed by desert floors and night skies--all subjects in which vast, expansive distances are distilled into luminous, meticulous, and mesmerizing small-scale artworks. For Celmins, this obsessive "redescribing" of the world is a way to understand human consciousness in relation to lived experience. The first major publication on the artist in twenty years, this comprehensive and lavishly illustrated volume explores the full range of Celmins's work produced since the 1960s--drawings and paintings as well as sculpture and prints. Scholarly essays, a narrative chronology, and a selection of excerpts from interviews with the artist illuminate her methods and techniques; survey her early years in Los Angeles, where she was part of a circle that included James Turrell and Ken Price; and trace the development of her work after she moved to New York City and befriended figures such as Robert Gober and Richard Serra. Exhibition: San Francisco Museum of Modern Art, USA (15.12.2018-31.03.2019); Art Gallery of Ontario, Toronto, Canada (13.06-11.08.2019); The Met Breuer, New York, USA (01.10.2019-12.01.2020).

Holdings ( 1 )
Title notes ( 4 )

Holdings
Item type	Current library	Collection	Call number	Status	Date due	Barcode
Book	Whitecliffe Library General Shelves	General	N 6537 CEL GAR (Browse shelf(Opens below))	Available		0013726

Published on the occasion of an exhibition of the same name held at the San Francisco Museum of Modern Art, December 15, 2018-March 31, 2019; the Art Gallery of Ontario, Toronto, May 4-August 4, 2019; and The Metropolitan Museum of Art, New York, September 24, 2019-January 12, 2020.--colophon.

Includes bibliographical references (pages 256-261) and index.

Best known for her striking drawings of ocean surfaces, begun in 1968 and revisited over many years both in drawings and paintings, Vija Celmins (b. 1938) has been creating exquisitely detailed renderings of natural imagery for more than five decades. The oceans were followed by desert floors and night skies--all subjects in which vast, expansive distances are distilled into luminous, meticulous, and mesmerizing small-scale artworks. For Celmins, this obsessive "redescribing" of the world is a way to understand human consciousness in relation to lived experience. The first major publication on the artist in twenty years, this comprehensive and lavishly illustrated volume explores the full range of Celmins's work produced since the 1960s--drawings and paintings as well as sculpture and prints. Scholarly essays, a narrative chronology, and a selection of excerpts from interviews with the artist illuminate her methods and techniques; survey her early years in Los Angeles, where she was part of a circle that included James Turrell and Ken Price; and trace the development of her work after she moved to New York City and befriended figures such as Robert Gober and Richard Serra. Exhibition: San Francisco Museum of Modern Art, USA (15.12.2018-31.03.2019); Art Gallery of Ontario, Toronto, Canada (13.06-11.08.2019); The Met Breuer, New York, USA (01.10.2019-12.01.2020).