Film theory : the basics /Series: Basics (Routledge (Firm))Publisher: London ; New York : Routledge, Taylor & Francis Group, 2016Copyright date: ©2016Description: 195 pages ; 20 cmISBN:
- PN1995 .M3775 2016
|Item type||Current library||Collection||Call number||Status||Date due||Barcode|
|Book||Whitecliffe Library General Shelves||General||PN 1995 MCD (Browse shelf(Opens below))||Available||0015762|
|PN 1995 HOL Approaches to popular film /||PN 1995 KAT Film directing shot by shot : visualizing from concept to screen /||PN 1995 KOE The long take :||PN 1995 MCD Film theory :||PN 1995 MUL Death 24x a second :||PN1995 MUL Visual and other pleasures||PN 1995 NAR Narration and spectatorship in moving images /|
Includes bibliographical references (pages 174-189) and index.
Introduction -- Theory before theory, 1915-1960 -- French theory, 1949-1968 -- Screen theory, 1969-1996 -- Post-theory, 1996-2015 -- Summary.
Film Theory: The Basics provides an accessible introduction to the key theorists, concepts, and debates that have shaped the study of moving images. It examines film theory from its emergence in the early twentieth century to its study in the present day, and explores why film has drawn special attention as a medium, as a form of representation, and as a focal point in the rise of modern visual culture. The book emphasizes how film theory has developed as a historically contingent discourse, one that has evolved and changed in conjunction with different social, political, and intellectual factors. To explore this fully, the book is broken down into the following distinct sections: Theory before theory, 1915-1960; French theory, 1949-1968; Screen theory, 1969-1996; Post-theory, 1996-2015. Complete with questions for discussion and a glossary of both key terms and key theorists, Film Theory: The Basics is an invaluable resource for those new to film studies and for anyone else interested in the history and significance of critical thinking in relation to the moving image. -- from back cover.