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Moving image /

Contributor(s): Series: Documents of contemporary art seriesLondon : Whitechapel Gallery ; Cambridge, Massachusetts : The MIT Press, ©2015Description: 239 pages ; 21 cmISBN:
  • 9780262528108
  • 026252810X
Uniform titles:
  • Moving image (M.I.T. Press)
Subject(s): LOC classification:
  • TR 850 MOV
Contents:
Introduction -- Apparatus -- Situation -- Embodiment -- Materialization -- Mediation.
Summary: This anthology examines the expanded field of the moving image in recent art, tracing the genealogies of contemporary moving image work in performance, body art, experimental film, installation, and site-specific art from the 1960s to the present day. Contextualizing new developments made possible by advances in digital and networked technology, it locates contemporary practice within a global framework. Among the issues it examines are how new technologies, forms of apparatus, and modes of editing or framing affect innovations in artistic practice and strategy; how work is defined by local contexts, and the tensions that can arise when the local is represented globally; how we define a ‘third space’ for the filmic image and whether an installation area can be abstracted from geography; how performance-based work in this field explores bodies as borders or territories; the ways in which political, pedagogical, and collective forms of practice have affected the moving image; and the new platforms and modes of viewing that are evolving in response to the globally distributed condition of contemporary media.
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Holdings
Item type Current library Collection Call number Status Date due Barcode
Book Limited Loan Book Limited Loan Whitecliffe Library General Shelves General TR 850 MOV (Browse shelf(Opens below)) Available 0012209
Book Book Whitecliffe Library General Shelves General TR 850 MOV (Browse shelf(Opens below)) Issued 22/04/2024 0012211

Includes bibliographical references and index.

Introduction -- Apparatus -- Situation -- Embodiment -- Materialization -- Mediation.

Introduction: Navigating the moving image / Omar Kholeif -- APPARATUS. Projection and dis/embodiment: Genealogies of the virtual / Thomas Zummer -- Films beget films / Jay Leyda -- 'Pensées' at 59 / Nam Jun Paik -- Hardware / Edith Decker -- Non-fatal strategies: The art of Nam Jun Paik in the age of postmodernism / John G. Hanhardt -- Interface matters: Screen-reliant installation art / Kate Mondloch -- Statement / Morgan Fisher -- Projection instructions / Morgan Fisher -- In conversation with Marita Sturken / Woody Vasulka -- Inter-view / Gary Hill -- Proposal: Hardware and software for computer-processed-and-generated video / Hollis Frampton -- Performing/Guzzling / Kim Gordon -- On multiple screens / Tim Griffin -- Towards a post-media era / Félix Guattari -- Media memories / Sven Lütticken -- The pregnant apparatus / Maxa Zoller.; SITUATION. The homelessness of the moving image / Andrew V. Uroskie -- Fluid screens, expanded cinema / Janine Marchessault and Susan Lord -- Slow motion: In conversation with Andrew Renton / Susan Hiller -- Cinema and space(s) in the art of Judith Barry / Kate Linker -- (Home)icide-House of the present / Judith Barry and Ken Saylor -- From video art to artists' video / Steven Bode -- In conversation with Adrian Searle / Steve McQueen -- On expanded cinema / Karen Mirza and Brad Butler -- Making history: Omer Fast / Mark Godfrey -- Walking the line: In conversation with Anna Dezeuze / Francis Alÿs -- Mundane virtuosity: Olga Chernysheva's work on video / Robert Bird -- The producer as artist / Claire Bishop and Francesco Manacorda -- Minerva Cuevas and the art of para-sitic intervention / Jean Fisher -- Kinomuseum / Ian White -- Disembodied perspective: Jananne al-Ani / H.G. Masters -- From films to cinema: Entering the life of traces / Jean-Michel Frodon -- Shared senses of inquietude: Communists like us / Shanay Jhaveri.; EMBODIMENT. PheNAUMANology / Marcia Tucker -- Finger envy / Andrew Grossman -- Cable TV's failed utopian vision: In conversation with Nicolás Guagnini / Dara Birnbaum -- In conversation with Mitchell Rosenbaum / Yvonne Rainer -- Partitions of memory / Johan Pijnappel -- The haptic object / Rob Mullender -- Performance for the computer / Jeremy Bailey -- In conversation with Grant Wahlquist / Stanya Kahn -- The body on stage and screen: Rabih Mroué's Photo-romance / Kaelen Wilson-Goldie -- Scratching and stretching skin / Akram Zaatari -- In conversation with Cindy Sherman / Ryan Trecartin -- In conversation with Aaron Cutler and Marianna Shellard / Luther Price -- The unfinished revolution: Oreet Ashery's Party for Freedom / T.J. Demos -- The internet in our bones / Roddy Schrock -- In conversation with Omar Kholeif / Jumana Manna.; MATERIALIZATION. In conversation with Charles Bernstein / George Kuchar -- In conversation with Michael Nash / Bill Viola -- Scratch and after / George Barber -- In living memory: Archive and testimony in the films of Black Audio Film Collective / Jean Fisher -- In conversation with Pallavi Paul / R.V. Ramani -- Ghostly medium: James Coleman's Charon (MIT Project) / Rebecca Comay and Michael Newman -- Olafur Eliasson: Visionary events / Jonathan Crary -- Nostalgia for a digital object / Vivian Sobchack -- In conversation with Alison Rowley / Trinh T. Minh-ha -- The matter of electronics / Ed Halter -- In defence of the poor image / Hito Steyerl -- On disambiguation / Steve Reinke -- In discussion with Dan Kidner / Ed Atkins, Melanie Gilligan, Anja Kirschner, Ben Rivers -- In conversation with Margaret K. Koerner / William Kentridge and Peter L. Galison -- Moments not remembered / Chris McCormack -- Statement / Basel Abbas and Ruanne Abou-Rahme -- What's at play in Harun Farocki's Parallel / Christa Blümlinger.; MEDIATION. Before and after UbuWeb: A conversation about artists' film and video distribution / Jacob King and Jason Simon -- Original copies: how film and videos became art objects / Erika Balsom -- Vulnerabilities and contingencies in film and video art / Pip Laurenson -- Remediation / J. David Bolter and Richard Grusin -- In conversation with Michele Robecchi / Pipilotti Rist -- In conversation with Joanne McNeil / Kenneth Goldsmith -- In a cinema near you / Iwona Blazwick -- In conversation with Kei Kreutler / Jacolby Satterwhite -- In conversation with Emanuela Mazzonis / Yuri Ancarani -- Exploding the frame: Ryan Trecartin's bad language / Travis Jeppesen.

This anthology examines the expanded field of the moving image in recent art, tracing the genealogies of contemporary moving image work in performance, body art, experimental film, installation, and site-specific art from the 1960s to the present day. Contextualizing new developments made possible by advances in digital and networked technology, it locates contemporary practice within a global framework.

Among the issues it examines are how new technologies, forms of apparatus, and modes of editing or framing affect innovations in artistic practice and strategy; how work is defined by local contexts, and the tensions that can arise when the local is represented globally; how we define a ‘third space’ for the filmic image and whether an installation area can be abstracted from geography; how performance-based work in this field explores bodies as borders or territories; the ways in which political, pedagogical, and collective forms of practice have affected the moving image; and the new platforms and modes of viewing that are evolving in response to the globally distributed condition of contemporary media.

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