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Toiletpaper magazine 19 : June 2022

By: Contributor(s): Publisher: Bologna : Damiani, 2022Description: 1 volume : illustrations ; 29 cmISBN:
  • 9788862087834
  • 8862087837
Subject(s): LOC classification:
  • N6490
Summary: Toiletpaper is an artists' magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari, born out of a passion or obsession they both cultivate: images. The magazine contains no text; each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists' mental outbursts. Since the first issue, in June 2010, Toiletpaper has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art, which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy.
List(s) this item appears in: 2022 New: Photo Media
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Holdings
Item type Current library Collection Call number Status Date due Barcode
Special Collection Special Collection Whitecliffe Library Staff office Special Collection (Browse shelf(Opens below)) Use in Library Only - Not for Loan 0014338

Toiletpaper is an artists' magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari, born out of a passion or obsession they both cultivate: images. The magazine contains no text; each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists' mental outbursts. Since the first issue, in June 2010, Toiletpaper has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art, which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy.

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