Bordering on miraculous

By:

Edmeades, Lynley [author.]

Contributor(s):

Leek, Saskia, 1970- [artist.]

9781991151131
1991151136

Subject(s):

Genre/Form:

New Zealand poetry -- 21st century.

Summary: In this luscious collaboration poet Lynley Edmeades and painter Saskia Leek explore ideas of the quotidian and its everyday miracles. Their close, intense domestic observations merge with the philosophical, in a quest for deeper meaning. Leek’s high-colour palette and symbolic investigation of the domestic provide Edmeades with a starting point, to which she writes back with a chromatic and vivid pen. In repetitive and evolving processes, artist and poet speak to each other through a prismatic renewal of familiar objects and images — fruit bowls, ceramic cups, sleeping babies, the view from a window — holding them up to the light and presenting them anew. This fourth book in the kōrero series of ‘picture books for grownups’, edited by Lloyd Jones, is as surprising, engaging, and delightful and its predecessors High Wire, Shining Land and The Lobster’s Tale.

List(s) this item appears in: 2022 New: Fine Arts

Holdings ( 1 )
Title notes ( 1 )

Holdings
Item type	Current library	Collection	Call number	Status	Date due	Barcode
Book	Whitecliffe Library NZ & Pacific	NZ & Pacific	NZ&P ND 1108 LEE (Browse shelf(Opens below))	Available		0014199

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Previous	E-BOOK Craft in art therapy : diverse approaches to the transformative power of craft materials and methods	NZ&P PR 9639 PRI Lobster's tale	E-BOOK Fashion theory : a reader	NZ&P ND 1108 LEE Bordering on miraculous	NZ&P N 6537 BRO An imagining landscape	NZ&P Photo Media Box 1 Mother lode	NZ&P Photo Media Box 1 The tree obverse	Next

In this luscious collaboration poet Lynley Edmeades and painter Saskia Leek explore ideas of the quotidian and its everyday miracles. Their close, intense domestic observations merge with the philosophical, in a quest for deeper meaning. Leek’s high-colour palette and symbolic investigation of the domestic provide Edmeades with a starting point, to which she writes back with a chromatic and vivid pen.

In repetitive and evolving processes, artist and poet speak to each other through a prismatic renewal of familiar objects and images — fruit bowls, ceramic cups, sleeping babies, the view from a window — holding them up to the light and presenting them anew.

This fourth book in the kōrero series of ‘picture books for grownups’, edited by Lloyd Jones, is as surprising, engaging, and delightful and its predecessors High Wire, Shining Land and The Lobster’s Tale.