Art and objecthood : (Record no. 59)

MARC details
000 -LEADER
fixed length control field 03987cam a2200337 a 4500
003 - CONTROL NUMBER IDENTIFIER
control field ACAD
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20160812140128.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 970506s1998 ilua b 001 0 eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 0226263193
Qualifying information (pbk. ;
-- alk. paper)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780226263182
Qualifying information (cloth ;
-- alk. paper)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 0226263185
Qualifying information (cloth ;
-- alk. paper)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780226263199
Qualifying information (pbk. ;
-- alk. paper)
029 1# -
-- NZ1
-- 4340959
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)36900729
040 ## - CATALOGING SOURCE
Original cataloging agency DLC
Language of cataloging eng
Transcribing agency DLC
Modifying agency IOP
-- UKM
-- BAKER
-- NPL
-- NLGGC
-- BTCTA
-- YDXCP
-- LVB
-- UPP
-- HEBIS
-- ZWZ
-- BDX
-- SGB
-- OCLCF
-- DEBSZ
-- OCLCQ
-- OCL
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Fried, Michael.
245 10 - TITLE STATEMENT
Title Art and objecthood :
Remainder of title essays and reviews /
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc. Chicago :
Name of publisher, distributor, etc. University of Chicago Press,
Date of publication, distribution, etc. 1998.
300 ## - PHYSICAL DESCRIPTION
Extent xviii, 333 pages :
Other physical details illustrations (some color) ;
Dimensions 24 cm
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc Includes bibliographical references (pages 327-330) and index.
505 00 - FORMATTED CONTENTS NOTE
Title Shape as form: Frank Stella's irregular polygons --
-- Morris Louis --
-- Jules Olitski --
-- Art and objecthood --
-- New work by Anthony Caro --
-- Ronald Davis: surface and illusion --
-- Two sculptures by Anthony Caro --
-- Recent work by Kenneth Noland --
-- Caro's abstractness --
-- Problems of polychromy: new sculptures by Michael Bolus --
-- Larry Poon's new paintings --
-- Anthony Caro's table sculptures, 1966-77 --
-- Three American painters: Kenneth Noland, Jules Olitski, Frank Stella --
-- Anthony Caro --
-- Frank Stella --
-- New York letter: Oldenburg, Chamberlain --
-- New York letter: Louis, Chamberlain and Stella, Indiana --
-- New York letter: Warhol.
505 00 - FORMATTED CONTENTS NOTE
Title New York letter: Johns --
-- New York letter: Hofmann --
-- New York letter: Noland, Thiebaud --
-- New York letter: Hofmann, Davis --
-- New York letter: Kelly, Poons --
-- New York letter: Judd --
-- New York letter: De Kooning drawings --
-- New York letter: Olitski, Jenkins, Thiebaud, Twombly --
-- New York letter: Brach, Chamberlain, Irwin.
520 ## - SUMMARY, ETC.
Summary, etc. Much acclaimed and highly controversial, Michael Fried's art criticism defines the contours of late modernism in the visual arts. This volume contains twenty-seven pieces, including the influential introduction to the catalog for Three American Painters, the text of his book Morris Louis, and the renowned "Art and Objecthood." Originally published between 1962 and 1977, they continue to generate debate today. These are uncompromising, exciting, and impassioned writings, aware of their transformative power during a time of intense controversy about the nature of modernism and the aims and essence of advanced painting and sculpture. Ranging from brief reviews to extended essays, and including major critiques of Jackson Pollock, Morris Louis, Kenneth Noland, Jules Olitski, Frank Stella, and Anthony Caro, these writings establish a set of basic terms for understanding key issues in high modernism: the viability of Clement Greenberg's account of the infralogic of modernism, the status of figuration after Pollock, the centrality of the problem of shape, the nature of pictorial and sculptural abstraction, and the relationship between work and beholder. In a number of essays Fried contrasts the modernist enterprise with minimalist or literalist art, and, taking a position that remains provocative to this day, he argues that minimalism is essentially a genre of theater, hence artistically self-defeating. For this volume Fried has also provided an extensive introductory essay in which he discusses how he became an art critic, clarifies his intentions in his art criticism, and draws crucial distinctions between his art criticism and the art history he went on to write. The result is a book that is simply indispensable for anyone concerned with modernist painting and sculpture and the task of art criticism in our time.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Art, Modern
Chronological subdivision 20th century.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Art criticism.
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Library of Congress Classification
Koha item type Book
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Collection code Home library Current library Shelving location Date acquired Cost, normal purchase price Total Checkouts Full call number Barcode Date last seen Date last checked out Copy number Cost, replacement price Price effective from Koha item type
    Library of Congress Classification     General Whitecliffe Library Whitecliffe Library General Shelves 14/05/2003 0.00 1 N 6490 FRI 0005100 06/12/2023 06/04/2016 1 0.00 08/07/2015 Book
    Library of Congress Classification     General Whitecliffe Library Whitecliffe Library General Shelves 16/09/2009 0.00 5 N 6490 FRI 0007891 06/12/2023 12/09/2023 1 0.00 08/07/2015 Book

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